I had the pleasure to see her in concert three times in my country. And she brought a Debussyan delicacy to the opening of its companion prelude in G major: this was jeu perl at its best. Valentina Lisitsa playing 'La Campanella' by Liszt. Her arresting image of "a mighty fountain suddenly starved of water" was oddly apposite for the desolate Prelude in B minor Op 32 No 10: she let the bare chords breathe and expand, and built to a massive climactic sound. And as she launched into the Rachmaninov Etude-Tableau, nicknamed "Little Red Riding Hood", her horror-film scenario was vividly bodied forth in two minutes of gripping music. Musicians who free-associate in their programme notes, rather than giving sober background facts are usually a bit weird, but Lisitsa's literary thoughts were a bold attempt to get inside our heads before she'd played a note. This had less to do with the fact that the works she played were of that era or that the centrepiece was a dazzling fantasia by that salon supremo Sigismund Thalberg than with the way she presented these works. Leslie Howard played the piece at a festival of Spanish music in Madrid in 2015, having recorded it 19 years earlier as part of his complete survey of Liszt's works for solo piano.Publicity for the Ukrainian pianist Valentina Lisitsa may parade her presence on MySpace and YouTube, but everything about her Wigmore Hall recital suggested that the 19th century is her natural habitat. Valentina Lisitsa has performed and recorded her interpretation on YouTube (in 2011), including an impromptu performance on a public upright piano at London's St Pancras railway station in 2013. The modern concert pianist Mikhail Pletnev was eager to play it live, but gave up, calling it "unplayable". 2.Recorded live on May 22th, 2010 in Leiden, Hollandby von Aichberger & Roenneke GmbHMichael von Aichb. Discover Guides on Key, BPM, and letter notes. He performed it in front of George Sand who praised it and wrote extensively about it, and Hector Berlioz hailed it as Liszt's finest work. Valentina Lisitsa plays Liszt's Hungarian Rhapsody No. Eb Abm Gb B Ab Chords for Valentina Lisitsa Liszt La Campanella from Paganini Etude No.3. Liszt initially intended this piece as a bravura finale for his recitals, but hardly ever played it. Compared to La campanella 's infamous two-to-three octave jumps, the Rondeau 's leaps are two octaves greater. It contains a great quantity of effects and virtuoso feats, including chord tremolos with accompanying thirds, wide jumps, fast repetitive notes, and arpeggios and octaves at a breakneck tempo, keeping a deciso (decisive) attitude throughout. 5 5/6 2 - Ligeti's Piano Etudes sound incredibly hard Brian Ferneyhough - Lemma-Icon-Epigram (w/ score) (for piano solo) (1981) 1 - Anyone familiar with the. Franz Lizst - La Campanella Franz Lizst - La Campanella Gyrgy Ligeti - tudes for Piano (Book 1), No. It has been hailed as one of the most technically challenging solo piano compositions in classical pianism. Paganini-Liszt La Campanella HQ2 - Love the version by Valentina Lisitsa. After each excursion the theme keeps coming back around as in a typical rondo. As with Liszt's other piano works based on other composers' pieces, it contains a complete exploration of the elements of the theme. Liszt's piece is essentially a set of variations on the song, loosely organized in rondo form. Franz Liszt La Campanella filippo tigrotto 28 subscribers Subscribe 840 views 8 years ago Teatro Antico di Taormina 1 Festival Pianistico Internazionale. A celebrity on the level of a Frank Sinatra or Elvis, his piano playing stunned everyone who heard it. The song was made popular by García's daughter, the well-known mezzo-soprano Maria Malibran. The name of Liszt resounded across Europe in the 19th century. Liszt's piano piece was based on Manuel Garcia's popular aria "Yo que soy contrabandista" for soprano female singer, guitar, and castanets, from his one-act zarzuela El poeta calculista. It lasts approximately 8–9 minutes according to the high tempo Liszt assigned, though most pianists play it slower (10–12 minutes) due to its incredible difficulty. It is based on a Spanish song popular at that time. 252, is a classical musical composition for piano solo by Franz Liszt, written in 1836, and published in 1837 as Liszt's Opus 5 No. Rondeau fantastique sur un thème espagnol: "El Contrabandista" ("Fantastic Rondo on the Spanish Theme The Smuggler"), S. JSTOR ( January 2020) ( Learn how and when to remove this template message). Unsourced material may be challenged and removed.įind sources: "Rondeau fantastique sur un thème espagnol" – news Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.
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